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harmony horse/rider

How to increase and decrease the canter stride keeping the energy and suppleness

Droits d'accès: 
Abonné
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This second phase of the exercise consists of practising transitions within the canter, meaning to go from a shorter canter stride to a longer canter stride, and vice versa.

Niveau de difficulté: 
Intermédiaire
Goal: 

In the previous exercise, we learned how to transition from one gait to another with a rider able to stay in the rhythm and flow of motion of her horse. To do so, we know how important it is that the rider minds the physical and mental priorities such as planning the track ahead of time and keeping a centred position, to name a few. The previous practice at the slower gaits enabled the rider to develop good reflexes and made her and the horse accustomed to this exercise set-up.
The second phase of the exercise consists of practising transitions within the canter, meaning to go from a shorter canter stride to a longer canter stride, and vice versa. We know that the ability to modify the length of the canter stride is essential to adapt to the requirement of a jumping course. This allows the rider to get a related distance, to increase the length of the stride to gain some time during a jump-off, or even to decrease the stride to gain more pushing power. There is so much to work on quietly at home before heading to a horse show.
For the horse, just the act of stretching, opening and shortening his body like an accordion is an excellent workout to increase the flexibility of his top line.
Once again you will be successful with this exercise only if your aids are as discrete as possible. Behaviours such as getting agitated, pulling or pushing, or even reacting abruptly are to be banned. We are seeking a well-planned and prepared exercise with fluidity in the transition and going over the ground poles.

 

This exercise is linked to the sheet CA4 of the booklet Training program 1

Progress: 

lene performs this exercise with Surf de la Cense. Michel has modified the set-up from the previous exercise to adapt it to this exercise. The Flexy-jumps on the ground are great landmarks to get the rider to stay aware at all times of all the check points.
To Michel, the position and seat movement of the rider Selene, should be taken as a reference for all levels of riders.

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How to control the speed and stay in harmony with the horse’s locomotion

Droits d'accès: 
Abonné
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Résumé listing: 

This comprehensive exercise is excellent to encourage the riders to be disciplined in their position and their capability to follow a precise path, to anticipate their actions, to maintain the movement forward and control the speed.

Niveau de difficulté: 
Intermédiaire
Goal: 

This comprehensive exercise is excellent to get riders to be disciplined in their position, their track and to plan ahead of time while following the forward movement yet controlling the speed.  This last point will be the main goal of this first step of the exercise. The ability of the rider to control the speed of the horse while following the horse’s motion is crucial to be successful in most disciplines (jumping course, dressage test…). The main mistake we see, is when riders ask for a transition but then, freeze their request which results in horses who can’t understand them and become defensive:  Getting above the bit, speeding up, refusing, bursting forward, bucking…

The goal of this session is to gain good reflexes resulting in smooth transitions in harmony with the cadence of the horse for each gait.

This exercise is linked to the sheet CA3 of the booklet Training program 1

Progress: 

Michel teaches Sélène who rides Surf de la Cense. The exercise starts with slower gaits to introduce the path to the rider and horse. The idea is to get the rider accustomed to the track and the flow of the movement at a walk and a trot. The set-up with ground poles marks the path with precision.
To follow Michel’s instructions, Selene doesn’t have a choice but to plan mentally and physically each part of the track ahead of time. She needs to stay mentally active while planning for the next move.
After practising a couple of times at a slower gait, Selene practises at a trot and a canter. Michel adjusts the set-up to favour the correct cadence at each gait.
To Michel, Selene’s work is excellent and should be a reference for any rider. The slow motion sequences of the video are very useful to the viewers to get the correct feel for it.

Cours associés