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flat work

Session with Philippe Karl and Michel Robert - Catapulte

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Philippe Karl, a former “Ecuyer” from the Cadre Noir of Saumur, teaches clinics worldwide. Michel Robert who is always looking for improvement and performance, called him to improve the dressage of his horses.  We’re watching in this video a flat work session with the mare Catapulte. This is a unique opportunity to witness the exchange of ideas between two famous names of today’s equestrian world.

Niveau de difficulté: 
Confirmé
Goal: 

Looking for a better balance with Catapulte.

Progress: 

Philippe Karl, former “Ecuyer” from the Cadre noir of Saumur, competed in eventing and in show-jumping, before focusing on dressage only. Nowadays, he teaches clinics world-wide. He created the school of lightness in order to pass-on his training method to instructors.

 

Michel Robert who is always looking for improvement and performance, called Philippe Karl to improve the dressage of his horses.
 

 

The mare balances herself on the forehand which is not always easy to manage. Philippe Karl shows his method based on the search of lightness. His perfect position allows him to work with his hand slightly up in order to get Catapulte’s forehand lighter. His work is based on slow gaits for a long time. After he obtained from the mare a good position, he can start some canter work, especially some movements like shoulder forward and half-halt.

 

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Stretching work session with “ZZ Top” out in the field

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This work will help loosen up and stretch the horse’s muscles and joints before a flat work or jumping session. Riding outside in a field, allows the horse to have a natural behaviour which will, in turn, favour his willingness to work, decreasing the rider’s constraint.

Niveau de difficulté: 
Intermédiaire
Goal: 

This work will help loosen up and stretch the horse’s muscles and joints before a flat work or jumping session.

Riding outside in a field, allows the horse to have a natural behaviour which will, in turn, favour his willingness to work, decreasing the rider’s constraint. The energy flows better and the movements will be longer. Riding in a rolling terrain will favour the horse’s balance and pushing forces.

Progress: 

Michel starts the session at a walk practicing few exercises to activate “ZZ Top de Hus”’ hind legs while maintaining him as relaxed as possible.

Michel asks also for a few rein-backs. It encourages once again the horse to engage his hind legs while keeping him forward and comfortable. Michel insists on the fact that riders need to ask for the rein-back with the legs and not the hands as it would go against our goal, I.E. getting the horse to engage his hocks underneath and lifting up his back under saddle.

 

The work session continues at a trot, taking advantage of the slope of the footing to increase the hindquarter activity still maintaining a good rhythm.
 

 

All those movements aim to stretch the whole top line of the horse in order to get him ready for a more collected  position.

How to deal with a hot horse

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Alice’s horse is overwhelmed as it’s his first time working in a field. Open spaces, other horses around, news jumps ….all are excuses for him to express his joy!

Niveau de difficulté: 
Intermédiaire
Goal: 

Alice came to stay a few days for a clinic at Michel Robert’s yard. The first videos show Alice’s preliminary flat work lessons. Alice’s horse is overwhelmed as it’s his first time working in a field. Open spaces, other horses around, news jumps ….all are excuses for him to express his joy! During this lesson, Michel will emphasise on the body position and mind-set the rider needs to adopt, in order to deal with her horse’s emotions, while working him with no excessive constraints. This lesson will show you that it’s possible to control a high energy level horse without any rein-aids or other kind of coercive methods which can ruin the horse’s mind and body.
 

Progress: 

This lesson is divided in 4 videos;

. Some primary advice to deal with the attitude of a horse who is worried or hot.

. An exercise that will make Alice work on her position when turning and on straight lines.

. Improving Alice’s position and her body movements during the up and down transitions.

. A first ground pole course to evaluate if the rider will be able to control her horse over a course.

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Training Aiti for the CSI of Fontainebleau

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Aiti is a 7 year old mare who joined Michel Robert's yard a couple of months ago. This work session, analysed by Michel Robert, was recorded the day before going to the CSI of Fontainebleau.

Niveau de difficulté: 
Intermédiaire
Goal: 

The goal is to channel the mare Aiti between both the leg and hand aids, while leaving her enough freedom of movement that she can use her body correctly and therefore maintain her willingness to work well.

Progress: 

Michel begins this session with a good flat work warm-up including some relaxation work at a trot, stretching the neck down. We know the importance Michel gives to this phase of neck stretching in order to let the energy flow all along the top line. This position is to seek especially at the beginning of the work as it enables the horse’s joints and back muscles to get into place. That’s an excellent exercise to get ready for the next phase of work.

 

Michel gives also a great importance in maintaining the arms very supple and flexible whatever the gait. It will enable the rider to maintain a constant contact with the horse’s mouth which is essential to get the horse to be trustful and to loosen his movements.

We’ll notice the strong canter rhythm as well as the bending in the turns.

The session goes on with a line of cavalettis to make sure the mare is responsive. The rhythm has to stay steady as well as the track that has been previously determined by the rider.
 

Michel emphasises on the importance of preparing each aid or action and each part of the course.

 

The session continues with getting over a few lines and combinations of jumps over which Michel needs to maintain a constant rhythm while staying in control.
 

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Session with Philippe Karl and Michel Robert - Nénuphar Jac

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After his ride on Catapulte, Philippe Karl trains Nenuphar Jac on flat work.

Philippe Karl works with Nenuphar Jac on looseness and allows him to stretch his top line in order to use his body at its best as well as to increase the range of motion of his movements.

Niveau de difficulté: 
Confirmé
Goal: 

He works with Nenuphar Jac on looseness and allows him to stretch his top line in order to use his body at its best as well as to increase the range of motion of his movements.

Progress: 

Who is Philippe Karl?

Ex-eventer and show-jumper, then a Cadre Noir Ecuyer for 13years, Philippe Karl is now a world renowned clinician.  He trains numerous instructors to his method: the school of lightness. It excludes the use of artificial aids (rein-aids...) in order to offer an approach that respects the horse.

 

 

The session

Philippe Karl was seduced by Nenuphar Jac’s excellent conformation and his natural balance. The horse, being a bit anxious, Philippe Karl starts to ride him in a very slow pace which favours relaxation. However, he makes sure to maintain a good range of motion in his movements. Nenuphar’s shoulders are too mobile and this work will help frame his forehand. Philippe is also looking for the horse to be lighter on his forehand, still making sure that he will not get curled in, in a low position. On the contrary, he has to favour the stretch from the horse’s tail up to his nose in order to enable Nenuphar with a better use of his body to improve the range of motion in his movements.
 

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Stretching the neck down

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In this session, Teoline has to stretch her horse’s neck down especially before and after a ground pole.

Niveau de difficulté: 
Intermédiaire
Goal: 

In this session, Teoline has to stretch her horse’s neck down especially before and after a ground pole.

This position allows a better energy flow along the horse’s spine which improves his pushing strength.
 

Progress: 

Teoline works her horse on a circle and makes use of the bend to stretch her horse’s neck down up to the nose. She has to be aware of her own looseness and especially be ready to release her arms as soon as her horse starts to move his neck down. Yet, she still has to maintain a steady rhythm and a precise track.

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Having the horse on the bit . Part 1

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Everyone, basically, wishes for a more or less well-behaved horse.
But then, knowing how to achieve this calls for a little patience and attention. And yet, how rewarding it is to ride an obedient horse: well-designed curves, light transitions…and all the paces of your choice (...)

Niveau de difficulté: 
Intermédiaire
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It is important for less experienced riders to know what having a horse “on the bit” means…

As we have seen, when faced with situations in which the horse feels
constrained, it will try to escape. The first time you tie up a horse using a halter and a rope, its initial reaction will be to pull back to try to escape. Likewise, a horse will try to spit out the bit you put in its mouth.

When it feels your hands at the end of the reins, it will try to free itself by shaking its head. All the rider’s work will consist in persuading the horse to accept these constraints, with kindness, with relaxed arms and fingers and a light contact.

The last stage will be having the horse “on the bit”, hence a trusting horse, which will have relaxed its cervical vertebrae, gently accepting ‘contact’ with the rider’s hands.
This can only happen with patience and understanding, initially often with low hands kept quite widely apart, so that the rider maintains elasticity in his arms.

It is true that at times I ride with my hands practically on my knees. This open attitude, although it may appear an exaggeration, allows one to have young horses on the bit more easily. I do not of course advise you to always ride like this. However, used for a few minutes, this position may allow one to unblock the situation, in particular with riders who have not yet understood the repercussions their position has on the horse’s attitude. It is pointless to try to have a horse on the bit if the rider cannot keep his hands still. To understand the influence your position has on the horse, do not hesitate to ask a very good rider to ride it. You will see to what extent your horse can be transformed. Starting from there, establish for yourself the aim of achieving the same results.
As far as having the horse on the bit is concerned, the final aim of the rider is to establish a contact, weighing only a few grams, with the horse’s mouth, whatever the position of his hands: high, low, separate or close together. This contact must be permanent in all situations: when turning, bending to the right, to the left, slowing down, stopping… the horse’s mouth trustingly follows the rider’s hands and vice-versa.

 

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Horse's back, the most engaged area

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 The sport horse’s back is the most engaged area of his body and the most fragile. We have to pay a particular attention to the area from the withers to the base of the tail. Most pathology, including lameness, takes root in the malfunction of the top line. It’s pretty obvious that a horse with back pain will not be able to perform any athletic activity (...)

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Débutant
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A strong back is not a priority for wild horses. However, when horses have to carry the weight of a rider and perform specific movements such as jumping or dressage figures, it becomes vital to shape their body in order to adapt it to the physical strains implied by being ridden.

 

The sport horse’s back is the most engaged area of his body and the most fragile, We have to pay a particular attention to the area from the withers to the base of the tail. Most pathology, including lameness, takes root in the malfunction of the top line. It’s pretty obvious that a horse with back pain will not be able to perform any athletic activity.

 

Even though a good osteopath can bring some relief to the horse, it will always be wiser eliminate the origin of the pain: rider’s improper position, a non suited fitness program… Saddles with trees that are too flexible or too stiff or with bad flocking can also be the root of important pathology.

Pay also attention to girths. If too narrow, they can lead to pain on the sternum and as a result to the withers area.

 

Le travail en longe

 

Ground work is recommended to strengthen the muscles of the horse top line. For that, his joints must move in their natural axis, as we would not be able to reach a strong muscle structure if the horse works in the wrong way. I must insist on this point. The position of the horse under saddle favourable to strengthen his muscle structure, is the one where the horse rounds his back up in order to promote the vertebrae opening and the correct movement of every joints. The idea is to stretch the entire top line in order to improve the pushing strength and allow the energy to flow as free as possible from the hind legs to the mouth with no blocking zone. It’s only under that condition that we can speak about the useful muscle building strength.

 

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Conditioning the horse on the flat and on jumps

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Zeta de Hus just joined Michel Robert’s yard. The goal of this work session is to improve Zeta’s balance and control, without imposing excessive pressure. The idea is to engage her in the work, while dealing with her disposition.  The diversity of exercises and the natural environment will help to achieve this goal.

Niveau de difficulté: 
Intermédiaire
Goal: 

Zeta de Hus just joined Michel Robert’s yard.
The goal of this work session is to improve Zeta’s balance and control, without imposing excessive pressure. The idea is to engage her in the work, while dealing with her disposition.  The diversity of exercises and the natural environment will help to achieve this goal.

Progress: 

The session starts with a warm-up in a varied terrain: transitions, figure-eights, lead changes… Michel takes advantage of the slope of the ground to encourage the mare to find her balance. He’s also trying to place himself in the same conditions as on a course and consequently he works on his position: speeding up, slowing down, wide turns, tight turns….

 At the beginning of the session, lead changes were not always successful. Michel doesn’t focus on that problem, and continues his work calmly. He knows that everything will get back to normal as soon as he has established correct communication between him and Zeta.

 After the warm-up on the flat, he works on several lines of fences. Some cavalettis, some combinations and different kinds of fences, like a water jump and a log oxer. He’s mainly looking for a steady canter. To reach that goal, he’s using, among others, some rubber foam poles to set up the tempo of the canter strides between two fences. He varies the exercises often, still with the idea of not fixating on issues.

During this whole session, Michel adapts his position to cope with the challenge of each exercise, and with the mare’s attitude. A good point of reference for every rider wanting to work on his/her position and looking for references and practical advice in that matter. Towards the end of the session, Zeta is doing good lead changes, and the control in the lines of fences is more than satisfactory.
 

 

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Working on a circle

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 The circle “helps the horse” because it facilitates work without imposing excessive constraints. To slow down a horse that rushes its paces, it is for example pointless to interfere with its mouth; it will be sufficient to simply shorten the circle.

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Débutant
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Usually start training sessions with my pupils with preparatory work on a circle. I find it difficult to get horses to evolve on a straight line. The circle “helps the horse” because it facilitates work without imposing excessive constraints. To slow down a horse that rushes its paces, it is for example pointless to interfere with its mouth; it will be sufficient to simply shorten the circle. Generally speaking, working on a small circle allows one to “collect” the horse and regain control in good conditions. This of course does not exclude varying one’s work. The aim is to improve the engagement of its hindquarters, to obtain a lowering of the haunches, a bending of the spine, supple shoulders and abdominal and upper line muscles.

JI usually start by drawing on the ground a first circle with a diameter of 15 metres and a second slightly larger one forming a circular corridor (1 metre wide) within which the rider is allowed to ride. You can also create this corridor placing poles on the ground.
The rider must at all times have a clear idea of where he is going.

If there isn’t a real circle on the ground, you must decide with precision the track on which you will ride. In your mind, this could be a plate or any other circular object. The horse must bend to follow the circle’s curve. The horse’s spine duly bends without exaggeration. You will be able to see part of the horse’s inside eye.
Be concentrated, ride “as if” there were walls forming a corridor within which you must remain; above all, think about maintaining your basic position, the one previously mentioned: “the centred position”.
If the horse goes towards the exterior of the corridor, this is no doubt caused by the weight of your body. In this case, look outwards to re-establish your balance in the centre, on all four the horse’s legs.
Be uncompromising if the horse does not stay on the track.
Naturally, this exercise is carried out at all three gaits, including transitions, and following the planned route. The aim for the rider, when riding on a circle, is to be ready “for anything”. This means leaving no doors open that would allow the horse to avoid the exercise. The only thing that it is allowed is to move at the pace and in the direction requested.

 

Extract of the book "Secrets and method of a great champion"

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